![]() ![]() Gravity is the most realistic movie about space and space travel ever. Third law: When one body exerts a force on a second body, the second body simultaneously exerts a force equal in magnitude and opposite in direction to that of the first body.Thus, F = m a, where F is the net force acting on the object, m is the mass of the object and a is the acceleration of the object. Second law: The acceleration of a body is directly proportional to, and in the same direction as, the net force acting on the body, and inversely proportional to its mass.First law: When viewed in an inertial reference frame, an object either is at rest or moves at a constant velocity, unless acted upon by an external force.You can bliss out on the dazzling visuals, but don’t spend too much time concentrating on the details. Despite its dystopian setting and garden-variety class struggle themes, this lighter-than-air romance remains mostly fantasy and froth. ![]() It’s an odd and ultimately flawed mix: A bold visual experiment tied to a simplistic story that’s about as complicated as “happily ever after.”Ĭurrent trends aside, not every movie needs to be “dark.” But if it’s hard-core science fiction you’ve got your heart and mind set on, you’ll be disappointed by Upside Down. As interplanetary interloper Adam courts Eden in her posh world, there’s more lens flare than legitimate emotional heat. As a result, it’s hard to see why they care about each other, or why we should care about their rekindling romance. The actors come off as likable enough, but there’s precious little character being developed, either on the beautifully grimy underworld or the gleaming world up above. While Dunst retains her title as Hollywood’s pre-eminent practitioner of the inverted liplock, she and Sturgess aren’t given much to work with when it comes to the script. Still, as the annoyingly earnest voiceover points out at the movie’s beginning, this is a love story. It’s possible that switching off your internal nitpicker - so as to avoid pondering the dizzying physics or plight of the downtrodden in the face of the robber barons in the sky - might make for a more enjoyable ride. The PG-13 movie, which opens Friday, does prove thought-provoking, but not really in a good way. Perhaps pitching Upside Down as a sci-fi film is part of the problem: While undeniably imaginative in concept, the execution lacks the emotional heft needed to lift it beyond the fantasy visuals and fairy tale storyline. ![]() As a result, the movie’s wafer-thin romance is harder to believe than the mind-spinning possibilities of its inverse worlds. Unfortunately, Upside Down - which casts itself as a tale of forbidden love in the mold of Romeo and Juliet - invests almost all of its cinematic capital in gravity-defying eye candy. ![]() If only the story were as original, or as strong, as the film’s topsy-turvy look. Taking place on “twinned worlds” where gravity pulls in opposite directions, the movie’s unique setting lends itself to an audacious visual take on the timeless theme of the “haves versus the have-nots.” Class warfare never looked as beautiful as it does in Upside Down, which opens in theaters today. ![]()
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